Documentary Producer,
Director & Photographer.

London & Bristol
Practice
Documentary Film
Camera Operation
Photography
Clients
BBC One & Two
Channel 4
Netflix · Hulu
Recognition
RTS Award — Ambulance
BAFTA Nominated — Educating Yorkshire
BAFTA Nominated — Freddie Flintoff
Broadcast Nominated — Spartan Bareknuckle
Broadcasters & Platforms
BBC Channel 4 ITV Netflix Hulu Apple TV+

Harry is a Documentary Producer, Director, DOP and Designer based in Bristol and London. An experienced producer-director with a cinematic eye, specialising in human-interest stories that get under the skin of their subjects. Over the past seven years he has crafted ambitious prime-time factual and observational programmes for the UK's most-watched broadcasters.

His credits include the BAFTA-nominated Educating Yorkshire, the BAFTA-winning Ambulance (RTS Award for his series), and the BAFTA-nominated Freddie Flintoff's Field of Dreams. He also develops tools that help documentary practitioners capture authentic moments.

Tools

I also enjoy developing and building tools that help film makers. Earwig is an on-set companion that lets you mark the moment as it happens, then carries your markers and selects straight into the edit.

Click here to find out more→
Awards &
Nominations

I've been fortunate to contribute to a number of award-winning and nominated broadcasts, across a range of roles and stages of production.

BAFTA Nominated
Broadcast Digital Awards Nominated

Selected Work

Documentary
Educating Yorkshire Series 2
Producer Director -- Two Four
The critically acclaimed return to Thornhill Academy. Managing relationships with teachers and students with special educational needs.
"The joyful return of this school show is just the blast of optimism we need."
The Guardian ★★★★★
Educating Yorkshire, Series 2
Channel 4
Spartan Bare Knuckle
Producer Director / DOP -- Apple TV+ / Amazon / Vice
Three-part series. In Bradford, a brutal boxing club is growing in popularity -- the UK's only licensed bare knuckle syndicate set up to combat knife crime.
Spartan Bare Knuckle: The Real Life Fight Club
Broadcast Nominated
Raising Chelsea
Producer Director -- Dorothy St Pictures
Three-part series following Jamie Laing and Sophie Habboo's unfiltered journey into parenthood -- from pregnancy through labour and the chaos of becoming first-time parents.
Jamie and Sophie: Raising Chelsea
Disney+ / Hulu
Murder 24/7
Producer / Director -- Expectation TV
Embedded with West Mercia Police managing sensitive access across departments, with victims, family members and perpetrators of crime. Self-shot in sensitive environments including crime scenes.
"An extremely well-crafted crime documentary; a thoroughbred of the genre."
The Times ★★★★
Murder 24/7
BBC One
Freddie Flintoff Field of Dreams Series 2
Producer Director -- South Shore
Second series following Freddie Flintoff as he returns to inspire young people through cricket.
Freddie Flintoff's Field of Dreams, Series 2
BBC One
Freddie Flintoff Field of Dreams on Tour
Location Director -- South Shore
Cross-shot sequences and fast-paced telephoto sports coverage. Coordinated multi-team shoot, car-mount pretties and GVs.
"Truly transformational TV... the most entertaining, touching series you'll watch this year."
The Telegraph ★★★★★
Freddie Flintoff's Field of Dreams: On Tour
BBC One · BAFTA Nominated
Ambulance BBC One
Producer / Director & EP -- Dragonfly
12-week shoot embedded with the Ambulance and Air Ambulance Service. Shot and structured the edit for the series finale.
"All human life was here -- birth, death and resurrection in the space of just two shifts."
The Telegraph ★★★★
Ambulance
BBC One · BAFTA Award
Cherry Valentine: Gypsy Queen and Proud
DV Director -- True North
Intimate documentary following the Drag Race star's return to the Traveller community.
"A very sweet insight into her journey blending Gypsy heritage with queer identity."
Gay Times
Cherry Valentine: Gypsy Queen and Proud
BBC Three
Brain or Brawn
Producer / Director
BBC Two factual entertainment series.
Brain or Brawn
BBC Two
Emergency Channel 4
Producer / Director -- The Garden
Self-shot on the road with the London Ambulance Service's Advanced Paramedic Practitioners and Air Ambulance operating within the London Trauma Network.
"Essential programming that really ought to find a large audience."
The Guardian
Emergency
Channel 4

What I Bring to a Shoot

Self-shooting · Owner-operator

I self-shoot and own all my own kit, from camera and lenses to lighting and sound. I turn up ready to work, which keeps a production simple and cost-effective. Sony FX6 · DJI Ronin 4D · Lighting & Sound Package

Observational documentary moment
01
Observational shooting

I shoot observationally, working quietly so people relax and forget the camera is there. I've spent years filming on ambulances, in schools and in family homes, often with sensitive access.

Lit documentary interview
02
Lighting for interviews

I light and shoot interviews myself, with a natural look rather than something that feels staged. People settle quickly in front of the camera.

Recording sound in a real environment
03
Sound

I record my own sound on the shoot, using radio mics, a boom and a mixer. That means clean dialogue in the edit without booking a separate recordist.

Gimbal moving shot on the DJI Ronin 4D
04
Gimbal work on the Ronin 4D

I shoot moving shots on a DJI Ronin 4D, from walk-and-talks to follows and reveals. It's a full cinema camera, so the picture stays stable and sharp.

Aerial drone shot of a river through fields
05
Drone operation

I fly a drone for aerials and establishing shots. It adds scale to a sequence without the cost of a second unit.

On location in the field
06
Flexible, ready to travel

I'm happy to travel, at short notice if needed, in the UK or abroad. I bring my own kit, so I'm self-sufficient wherever the shoot is.

Want to work together?

If you've got a story to tell, a series to crew, or just fancy a chat about documentary, drop me a line. I'd love to hear from you.

Say hello